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BFI Southbank Gallery Peter Campus Inflections: changes in light and colour around Ponquogue Bay, 2009 | ||
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| BFI Gallery Peter Campus Opticks 11 Dec 2009 – 14 Feb 2010 BFI Southbank, Belvedere Road, London SE1 8XT In December and January BFI Southbank celebrates the work of ground breaking video artist Peter Campus. The exhibition in the Gallery and the accompanying retrospective in the cinemas offer a rare opportunity to appraise the work of an artist who has contributed greatly to the development of the creative use of video and whose work has influenced two generations of practitioners. Campus' work is particularly relevant in the context of the Gallery at the BFI because he was crucial in developing the potential of video within a gallery space, placing the visitor in the leading position of 'activator' of the work, subverting the passive role that video (through television) had given to the viewers up to that point. Born in 1937, in New York, Campus first came to prominence as an artist in the early '70s with his close-circuit works, three of which - Kiva (1971), Stasis (1973) and mem (1975) - are included in the exhibition alongside a new six-screen work commissioned by the BFI, Inflections: changes in light and colour around Ponquogue Bay (2009). Campus' close-circuit works subvert the viewer/work relationship; it is only when the visitor enters the field of the work's apparatus that the piece is actually activated. Far from being interactive in the better known sense of the term, Kiva, Stasis and mem are fully realised only through the visitor's movements within the space; but while we observe and explore a different, yet live and highly recognisable portrait of ourselves, such physical engagement soon becomes mental and emotional. In mem for example - showing in London for the first time – as one approaches the projection surface, the image becomes smaller to the point of receding and disappearing. This work, like all of Campus', ask the existential question of what is a true image and it is this concern that places campus' work within the history of the visual arts as much as within that of the moving image. Such engagement with a broader history of the arts and in particular painting is what's particularly striking about the artist's new series of works. In Inflections: changes in light and colour around Ponquogue Bay (2009), static, slowed down videos shot on the Ponquogue Bay - on the south shore of Long Island, New York, where Campus lives - are digitally altered to create abstract landscapes. In the work we find Campus' distinctive interest in technological experimentation coupled with a strong concern for formal composition, the result being hypnotic images, suspended between painting and video, stillness and movement. The work not only confirm Campus' ongoing preoccupation with new technologies but most importantly it creates new, unexpected possibilities of painterly abstraction for video. Supported by Arts Council England. Inflections: changes in light and colour around Ponquogue Bay (2009) is commissioned by the BFI. With thanks to Albion, London. The exhibition version of mem is courtesy of Kunsthalle Bremen – Der Kunstverein in Bremen. Kiva and Stasis are courtesy of Albion, London. Screenings and Events The exhibition is accompanied by an extensive retrospective of Campus' video work showing in our cinemas and by a rare opportunity to welcome the artist in person. Peter Campus in Conversation with Elisabetta Fabrizi, BFI Head of Exhibitions to explore the artist's oeuvre and the ideas behind his BFI show. Fri 11 Dec 18:10 NFT3 Peter Campus Screenings (Part 1) These two programmes provide a unique opportunity to see a retrospective of Campus' video work. Programme 1 Traveling Home [from Time's Friction], 2005 Kathleen in Grey [from Time's Friction], 2004 Time's Friction [from Time's Friction], 2004 Three Transitions, 1973 East Ended Tape, 1976 Winter's Journal, 1997 I, We [from By Degrees], 1998 Road Stick [from By Degrees], 1998 Traveling [from By Degrees], 1998 Forgetful Snow, 2006 Lost Days, 2006 Still Wind, 2006 Seines, 2007 The Blinds, 2007 Death Threat, 2000 Red Tag, 2004 Rolling Drum [from Six Movies], 2001 Temple deep [from Six Movies], 2001 Greenhouse Door [from Six Movies], 2001 Divide, 2001 Dynamic Field Series, 1971 Fri 11 Dec 20:30 NFT3, 114 min Sun 13 Dec 15:00 Studio, 114 min Sat 16 Jan 15:30 Studio, 114 min Programme 2 Edge of the Ocean, 2003 Baruch the Blessed [from Time's Friction], 2004 Sophia [from Time's Friction], 2004 Four Sided Tape, 1976 Third Tape, 1976 Video Ergo Sum [Part One], 1999 Set of Coincidence, 1973 Karneval und Jude, 2003 Mont Désert, 1996 As Yet [from By Degrees], 1998 Myself Unknowing [from By Degrees], 1998 By Degrees [from By Degrees], 1998 Hammer, 2004 Water's Wake [from Six Movies], 2001 Delay in Glass [from Six Movies], 2001 Searching Deserted Places, 2005 Ponquogue Bay, 2006 In Water, 2007 The Future of Oil, 2007 The Reluctance of Trees, 2007 Double Vision, 1971 Sat 12 Dec 15:00 Studio, 115 min Sun 17 Jan 15:30 Studio, 115 min Peter Campus Screenings (Part 2) For the BFI, Campus has curated two programmes of his former students' videos, providing an outlook into how teaching is an integral part of his influential legacy. Programme 3 Seoungho Cho, Buoy, 2008 Nayda Collazo-Llorens, Roaming, 2005 Jason Varone, Traveling by Television, 2002 Jason Varone, A Videodrawing in Brooklyn, 2002 Jason Varone, Logic Bomb, 2005 Jason Varone, Diagram Abstraction, 2005 Kathleen Graves, Capella Rosa, The Spider, 1997 Priyanka Dasgupta, an abbreviated account of desire and death Claudia Joskowicz, Round and Round and Consumed by Fire, 2009 David Matorin, The Power of the Immovable Object (theater) Alejandro Cesarco, Zeide Isaac, 2009 Gautam Kansara, Health, Wealth and Fame (Rangpar) Sat 23 Jan 15:30 Studio, 66min Programme 4 Seuongho Cho, I Left My Silent House, 2007 Nayda Collazo-Llorens, Jump, 2007 Nayda Collazo-Llorens, Circa 1978, 2001 Nayda Collazo-Llorens, Untitled - Dog, 2001 Kathleen Graves, Trace, 1998 Claudia Joskowicz, Vallegrande 1867, 2008 Priyanka Dasgupta, we all fall down David Matorin, Always-Forever-Girl, 2006 David Matorin, Transmission Problem, 2003 Sonja Engelhardt, Untitled loop, 2009 Sonja Engelhardt, Untitled loop, 2009 Alejandro Cesarco, Everness, 2008 Sun 24 Jan 15:30 Studio, 61min For further information please visit http://www.bfi.org.uk/whatson or http://www.bfi.org/gallery. BFI Southbank, Belvedere Road, London SE1 8XT Box office: 020 7928 3232 (11:30 – 20:30 daily) BFI Southbank, Belvedere Road, London SE1 8XT | ||
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