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 Sarah Lucas © Steff Rushton, 2005 | | spike art quarterly Issue 22 out on December 15! http://www.spikeart.at | |
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| CONTENTS Sarah Lucas' pieces were traditionally aimed at adverse presentation, "Penetralia" moves away from that, and the newest sculptures, "NUDS", appear to completely break away. By Daniel Baumann Capacete Entretenimentos dissolves the borders between the public and private, achieving space for the continuously changing creative community. Pablo Léon de la Barra on Helmut Batista's art project. Leopold Kessler questions open space, making minimal manipulations and shifts in perception. Fouad Asfour on the Austrian artist. 90s revival. Is the time ripe for it? Andreas Schlaegel asks while searching for new projects in the spirit of Relational Aesthetics Janette Laverrière, one of the first Modernists. Nick Currie on the Swiss designer. Performa 09. By Adam E. Mendelsohn Museum of Everything of London collector James Brett. By Daniel Baumann Sanja Iveković's Performance Eve's Game is curator Pierre Bal-Blanc's key piece. Wilhelm Schürmann, one of Germany's most influential collectors. By Andreas Schlaegel On preventing production by Fritz Ostermayer Slavoj Žižek's newest book "First as Tragedy, Then as Farce". By Joanna Fiduccia Ayse Erkmen's artist's favourites Why are art fairs so annoying? Adam E. Mendelsohn asks himself and others at the Frieze Art Fair. Freymond-Guth and Co. Fine Arts in Zurich. Gallery owner Jean-Claude Freymond-Guth in conversation with Rita Vitorelli Vilnius, no art market, no pressure. Is that the reason for the success of an institution like CAC or a gallery like Tulips & Roses? By Valentinas Klimašauskas If you don't find spike at your favourite newsstand, you can easily order your copy at spike@spikeart.at Or subscribe here: http://www.spikeart.at/abo Also have a look at spike's first book, the spike art guide east spike art quarterly Lilienbrunngasse 18/2/37 1020 Vienna Austria T. +43 1 236 299 5 http://www.spikeart.at | |||
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