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 Vasily Kandinsky, Several Circles, 1926 (detail) Oil on canvas, 140.3 x 140.7 cm. Solomon R. Guggenheim Museum, New York © 2009 Artists Rights Society (ARS), New York/ADAGP, Paris | | The Universe Resounds: Kandinsky, Synesthesia, and Art Symposium Tuesday, January 12, 2010 2–7 pm Solomon R. Guggenheim Museum Peter B. Lewis Theater 1071 Fifth Avenue (entrance on 88th Street) New York City http://www.guggenheim.org/universe-resounds | |
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| In conjunction with the final days of the Kandinsky exhibition on view through January 13, the Solomon R. Guggenheim Museum is pleased to announce The Universe Resounds: Kandinsky, Synesthesia, and Art, an interdisciplinary examination of painting, synesthesia, and abstraction from modern to contemporary times, including from the perspectives of art history, neuroscience, music, film, physics, and performance. A reception and exhibition viewing follows the symposium. Topics and Speakers Kandinsky's Synesthetic Vision: Color/Sound/Word/Image Magdalena Dabrowski, Special Consultant, Department of Nineteenth-Century, Modern, and Contemporary Art, Metropolitan Museum of Art, New York Notes on Kandinsky and Schönberg James Leggio, Head of Publications, Brooklyn Museum, New York Kandinsky's Legacy in Film and Popular Culture Kerry Brougher, Deputy Director and Chief Curator, Hirshhorn Museum and Sculpture Garden, Washington, D.C. Nonobjective Films Courtesy the Center for Visual Music, Los Angeles Neuroscience and Music David Soldier, Professor of Neurology, Psychiatry, and Pharmacology, Columbia University Medical School, New York, with Brad Garton, Director of the Columbia Computer Music Studio, Columbia University, New York Hypermusic Prologue Matthew Ritchie, artist, New York Moderated Discussion Caroline Jones, Professor of Art History and Director, History Theory Criticism Section, Department of Architecture, Massachusetts Institute of Technology, Boston For complete information, schedule, and tickets check online or call the Box Office at 212 423 3587, Mon–Fri, 1–5 pm. Eyetracking Forum Wednesday, January 13, 2010 9 am Martin Segal Theatre The City University of New York Graduate Center 365 Fifth Avenue (at 34th Street) New York City Science & the Arts at the CUNY Graduate Center and the Sackler Center for Arts Education are pleased to announce an Eyetracking Forum. This session for art and science professionals examines the science of eyetracking from multiple perspectives, including filmmaking, interface technology, psychology, and data visualization, and concludes with an exhibition walkthrough. Moderators: Adrienne Klein and Grahame Weinbren Space is limited, RSVP required: publicprograms@guggenheim.org Participants Kenneth J. Ciuffreda, O.D., Ph.D., is the former Chairman of the Department of Vision Sciences at SUNY State College of Optometry, New York, whose current research involves normal and abnormal oculomotor systems. Isaac Dimitrovsky is a programmer who lives and works in New York. Rebecca Shulman Herz is Senior Education Manager of the Learning Through Art program at the Solomon R. Guggenheim Museum and author of Looking at Art in the Classroom: Art Investigations from the Guggenheim Museum (Teachers College Press, 2010). Bruce Homer is Associate Professor for the Ph.D. Program in Educational Psychology at the CUNY Graduate Center. Adrienne Klein is Co-Director of Science & the Arts at the CUNY Graduate Center. Ken Perlin is Professor of Computer Science at New York University, directing the NYU Games for Learning Institute. John F. Simon, Jr. is a practicing new media artist who works with LCD screens and computer programming. Paula Stuttman is an artist, independent art lecturer, and part-time Assistant Professor at the New School, New York. Grahame Weinbren is an interactive filmmaker whose work is represented in the permanent collection of the Guggenheim Museum; he is also a member of the graduate faculty of the School of Visual Arts, New York. George A. Zikos, O.D., M.S., directs the Manhattan Vision Associates/Institute Vision Research, New York.  | |||
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