| February 12, 2010 |  |
 Jesús PalominoVendors and Squatters, 2003 Courtesy of photographers Francisco Barsallo & Miguel Lombardo. | Art&Education A&E Papers and NewsOnline database of scholarly articles on art history and contemporary artand Reports on recent faculty appointments, grant recipients, and other developments at art schools and universities |
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| PAPERS: Over the past several months, Art&Education readers have contributed a number of notable articles to A&E Papers: In "Making the Invisible Visible: A City in Multiples and the Art of Multiplicity," Steven L. Bridges analyzes the 2003 Art Panama event, ciudadMULTIPLEcity and its examples of "socially engaged" practices that layer "sociopolitical and aesthetic qualities." Meanwhile, an article by Ed Carroll that first appeared on the occasion of the 2009 Kaunas Biennial examines art with a "civil orientation," focusing on three Irish art projects. Other contributions include a paper by architect Aaron Davis seeking to reassess the political agency of Minimalism through a rereading of Donald Judd's "Specific Objects," and Mary Drinkwater's analysis of critical democratic pedagogy and the arts in secondary schools. To read all articles in the A&E Papers archive, visit http://artandeducation.net/papers/ To submit articles, or to make inquiries, e-mail papers@artandeducation.net. All scholarly articles on art history and contemporary art are welcome. While A&E Papers facilitates the distribution of scholarly articles online, the authors maintain responsibility for all content published in the A&E Papers database. NEWS: Art & Education's reports on recent faculty appointments, grant recipients, and other developments at art schools and universities THIS MONTH in A&E News: University of York Partners with Tate Britain San Francisco to Monitor Academy of Art University New Acquisitions for University of Virginia's Art Museum ANNOUNCEMENTS: Daily updates on the latest opportunities and programs offered by academic institutions worldwide The University of the Arts, Philadelphia: Call for Applications UC San Diego, Visual Arts Department: Public Culture in the Visual Sphere Mills College Art Museum: Trisha Brown—"So That the Audience Does Not Know Whether I Have Stopped Dancing" | |
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